Tag Archives: Andrew J Knight

The Best Sci-fi Writing Quote EVER!


Modern sci-fi has largely lost its episodic ways. The reimagined Battlestar Galactica was extraordinary but offered little to people who didn’t like its universe. One episode of political maneuvering with genocidal robots chasing a rag tag fleet across the cosmos was enough to learn the ethos and structure of the entire series. With story arc’s heavily used in most modern TV programmes I, personally, feel that something great has been lost. Episodic TV allowed moods to change and catered for wide audiences. One week Star Trek would be serious, another it would be technical, another humourous and yet another heart-wrenching.

And it’s from the heart-wrenching Star Trek episode ‘The Visitor’ (ST: DS9) I wish to quote,

“I’m no writer; but if I were, it seems to me I’d wanna poke my head up every once in a while and take a look around, see what’s going on. It’s life, son. You can miss it if you don’t open your eyes.”

It’s exactly the above I’ve been doing in my hiatus from this blog. My scenery has changed, from darkest Leeds to beautiful countryside and more, a new child is on its way.

But Hang On…

Children can be EXPENSIVE! So this fear leads me to my latest blogtastic discovery, greatcontent.co.uk.

Greatcontent.co.uk is a website that brings together companies that want copy written with people willing to write it. The price is fairly low, but it’s a totally take-it-or-leave it workload. For me having the ability to quickly generate £50 when I need a bit of a cash is a great ability. Additionally it allows me to continue developing my writing technique as each and every submission I make is rated.
Now, having taken a look at the world around I think it’s time to crack on with Fifty-Two.

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Knights Highlights – July 2012

This is the last month I’m writing for Rare Breed Digital and Data Scout. Due to moving house & other commitments I’m toning down the throttle on my freelance career – for a while at least!

A Question of Cool

Coolness is now a commodity…

A New Job Description

How the race to the bottom has caused garage developers to take on new roles

Friend FRAUD

The problem undermining Facebook’s business model.

Look to Last Place

How last place can sometimes tell you more than than field leaders

Olympic Special

Considering everyone else is going Olympic crazy it seems pertinent to join them!

What would you do for a recommendation?

Just how do stores like iTunes, Google Play and Xbox live show you content that’s relevant to you?

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Knights Highlights – June 2012

All the Power in the World

What supercomputers truly mean for the future

Integration

A funky little picture explaining one element of Data Scouts offering

Mobile Application Development is a bit like… Football!

With the Euro’s happening I couldn’t not write a subject crossover, could I?

Ninten-do’h!

The impact (or lack thereof) of the indescribable Wii U at E3.

Supply and Demand

How the lack of supply constraints is leading to a race-to-the-bottom approach to mobile application pricing

The Third Way

Microsoft finally come neck-and-neck with Apple

The Invention of Innovation

More effort for less gains, the true story behind spiralling patents.

The Ultimate App for Stress Relief

In a busy week for tech news who is it that comes out on top? The University of Portsmouth of course…

Tomorrow’s World pt 1

Data Scout have a go at futurology

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Battlespace Merchandise

Following the acceptance of my short story, Message in a Bottle, to the Battlespace Anthology there has been an unexpected development… Merchandise! ( proceeds from which will be donated to the Warrior Cry music project).

Chuffed to bits with my name on a mug! :)

This and other merchandise from the Battlespace anthology can be found here

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Story Acceptance – Battlespace Anthology

My short story Message in a Bottle has been accepted for publication in the Battlespace Anthology.100% of the proceeds from the e-book and printed book will be donated to the Warrior Cry music project. I’ll post later with more details as and when I receive them.

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The Telegraph Short Story Competition May 2012

This is my entry to the Telegraph Short Story competition for May 2012. The subject is ‘Time-shift’ with a bit of jubilee nostalgia thrown in. The rest of the stories from the competition can be found here.

Blink of an Eye

It’s a far, far stranger thing that I feel now than I have ever felt before. My vision is clear and hearing acute but my brain refuses to grant detail. I feel disconnected from my body, like a dormant computer waiting idly for its master. My chest is pinned tightly under twisted metal. A breath ago our driverless vehicle was hit by another. Whoever sat beside me is now screaming to high heaven, but the noise, the sight and recollection of who they are isn’t forthcoming. Despite my situation, I struggle to feel bothered, pulled by the allure of old memories.

As a child my dad and I used to watch old blockbuster movies.

“These movies never get the future right,” he’d say.

And he was right. If you ever get a chance to see one of the old 2D films you’ll see vast interstellar ships, gargantuan in size, often float into port earning not so much as a scratch from such delicate manoeuvre while people teleport from place to place, taking in beach, mountain and space station without even batting an eyelid and characters are all sharply dressed, not a single hair out-of-place, each and every person only benefiting from the abilities technology brings.

My dad used to relish telling me how the movies always ignored the small, personal tragedies of everyday citizens, how when it came to it most people were frustrated with new technology because new invention always brought new difficulty.  He particularly loved telling the tale of how each and every movie missed the fall of capitalism and the British monarchy, how both ended when everything was automated to a single button press leaving humanity to merely consume and the monarchy to be totally ignored. In movies, he’d say, such complex concepts were rarely considered, making way instead for alien invasions or other ‘popcorn-fluff’. What happened to the general populace in films was never much more than an afterthought.

Trapped by the crushed steel-alloy of my car I too feel like an afterthought. Despite my skull being firmly pressed against the dashboard by the broken headrest and my eyes now tightly closed covered in a liquid I know to be my own blood I feel somewhat at peace. However that peace, through continued recollection, shatters.

I’d grown into a world that was less equal, more hostile and totally lacking in the optimism the old 2D colour films had promised; soon I too became abrasive and emotionless. When the war they all called ‘World War Three’ came it wasn’t aliens that caused it, just your usual political, religious and extremist bullshit. Instead of following the philosophy I’d grown up with I signed up for the Republic Air Force and found myself a pilot in the Skylon Strategic Bombing corps. I piloted the Skylon Stratofortress, Cheery Loner.

Although my country the United Republic joined the war late, its entry brought weapons the world had never seen – Time Bombs. With their power we had the ability to tear at the very fabric of reality meaning we could speed up or slow down events however we saw fit.

Initially we only targeted enemy military assets; during one of my early missions I dropped a fast-bomb on a naval armada. Within seconds of the explosion the ships burned all their fuel, food rotted, milk soured, bulkheads rusted and people aged. But we didn’t stop at military targets.

Combining a slow-bomb and an old nuclear warhead together we developed the ultimate offensive weapon and propaganda tool. Hiroshima was bad, but it was over too quickly. What nation could stand to see their capital reduced to dust behind an impenetrable barrier of time? We set the timer to eighty years and dropped the bomb. Behind my plane the time explosion occurred, creating a dome of ‘slow-time’. Five real-time minutes later (an instant to anyone inside the dome) the nuke went off.  As distant as my plane was the spark looked bright, but small, like a distant star. I didn’t care to look further; seeing family, friends and fellow citizens slowly burned and annihilated was for the enemy to suffer, not me.

Anyone who dared press a finger into the slow-time dome would become trapped part in normal time and part in slow time. Blood that would flow from heart to arm, to outstretched palm would enter fingertips held within-slow-time, thus not return to the heart at the normal rate. Without urgent amputation anyone foolish enough to touch the barrier would end with their fingers bursting apart or body-rocking heart attacks. This fact wouldn’t stop relatives committing suicide this way.

The rights and wrongs of what I did weren’t for me to contemplate. I told myself I was just a pilot, soldier and tool of the country’s aims and it wasn’t my place to worry about the morality of our actions.

After the explosion arrived my just desserts. We’d been too arrogant believing our aging Skylon fleet was quicker than ground-to-air missiles and too low for orbiting space ships to attack. We’d though we could attack with impunity. How wrong we were. Fifteen minutes into my flight home the proximity alarm sounded. From above a hulking space ship foolishly entered the atmosphere, desperately trying to destroy the aircraft responsible for the sentencing their capital city to a lingering death.

Recklessly they followed me as I dived lower. The protective plating sheared from their hull, but still they continued, my attempts at evasion merely hardening their resolve. Their weapons systems, meant for bigger prey, missed me but burned the air for tens of miles. Finally, despite my best efforts, one shot glanced across my bow. The reverberation was bone-shattering, two of my engines disintegrated leaving my plane to enter a death spiral.

Now, in the crumpled remnants of this car I can still clearly see the bomber spinning and lurching, the air filled with shrapnel, the remains of my colleagues and copious amounts of vomit. In the distance the spaceship pulled away, back to the safety of space.  I’d plummeted to Earth, continually turning and twirling in a downward spiral of death. At some point I’d blacked out.

I can hear the emergency services cutting the frame of the car. Before this accident I remember travelling on the road, having been programmed by my friend… Michael Emery (I think that’s his name, although something about him looks… wrong). But I don’t remember getting into the car with him; I don’t remember where we came from or where we were going to. In fact, the only thing I remember before the car, the crash and the impending rescue is the plane and the bombing.

Like drifting on a cloud I’m pulled from the car, my body so badly beaten that it doesn’t even bother to try accounting for the pain. Lifting my arm it’s not the blood, bruises and pierced skin that shock me. My skin is haggard, withered and drained. When I was a pilot I was a naive twenty-one year old, now as I’m placed in the ambulance I’m certain my thoughts are held within the body of a pensioner.

Confused thoughts start whirring through my mind only to be cut short as I finally, thankfully, black out.

Sometime later, in a nearby hospital

I open my eyes, just for a moment and see my friend, wheelchair bound and in conversation with an artificial intelligence.

“Is he going to be alright?” Michael Emery asks.

The A.I. responds coolly, “Saul Tibbley suffered major trauma to his body, brain and neck. Saul’s neck will be restored in approximately six months, his arms, legs and soft tissue in a matter of weeks. His brain shows signs of historic scarring meaning my analysis of the effects of the accident cannot be completed.”

“Ok, thank you. Can you check just one area for me? Please review all areas of his brain associated with short-term memory.”

“I will report back to you in six hours,” the A.I. answers.

That short snippet of conversation is enough to drain what little energy reserves I have and I fall into a deep, dark sleep.

Many weeks later

I wake up into a dark, quiet room. Immediately the plethora of machines surrounding me tells me my location – a hospital. It’s too quiet, there isn’t a sound of a nurse wandering or even the gentle snoring of other patients. I’m on my own in this darkened room.

My body aches through lack of movement. My arms and legs feel especially weak from where pins have recently been removed. However as I bring my palms over my body it’s not the wires or the scars that take my attention. My skin feels mottled and… burnt? I don’t remember a fire in the car. Assessing my memory for other causes of my skin’s complexion I realise again that I can’t remember anything between dropping the bomb and the car crash.

Raising my hands to my head I feel a hair-free scalp and a ridge of scar-tissue where my skull has been glued back together. My memory is missing.

In fear I shout, “Doctor!”

Immediately the lights turn on and the same A.I. as before enters the room. As soon as it reaches my bed I ask, “What’s happened to me? Why can’t I remember anything?”

In return the A.I. remains as calm as ever and simply states, “I cannot answer your question but have contacted the individual with the right authority to do so. Your friend, Michael Emery, will be present shortly. Please do not raise your stress levels.”

Confused and angry I attempt to lift myself up, only to be defeated by unused muscle. With a little effort I use creaking fingers to raise my bed into a seated position. When ready I ask, “Why won’t you tell me what has happened?”

“I have been instructed not to do so. Michael will be here in a moment.”

As I resolve to wait, knowing it’s pointless battling an A.I., I become acutely aware of my withered bodily frame. Something isn’t right.

Finally I hear the door opening.

Michael Emery, now healed from his injury strides toward me. With an outstretched hand he grabs my palm and shakes it. “It’s so good to see you up,” he says.

Staring at him I feel momentary comfort, his identity a memory I can access. Michael is an old friend I met when signing up for the RAF… but something about him looks strange, different and once more I’m perturbed. “What’s happened to me?” I ask.

Michael perches at the bottom of my bed, fidgets for a moment then stares me in the eyes.

“We were in a car crash. Someone hacked the other driverless car’s computer and crashed it into ours. We both nearly died.”

“Who would do that?”

Michael takes a breath, “Do you remember your name? Can you tell me who you are?”

“Of course I remember my name,” I balk, “I’m Saul Tibbley, RAF pilot number 06081945. And I wasn’t asking about the crash, I remember that. I was asking why I don’t remember anything between my plane crashing and waking in a car crash. Has… has my brain been damaged? Have I lost my memory? You can tell me… be honest.”

The look Michael gives clearly hides deep emotion, “Saul… the car crash didn’t damage your brain.”

“Then why can’t I remember?”

Michael gulps, “The crash… it… repaired your brain.”

“What? What do you mean? I don’t understand.”

“When your skylon crashed you were pulled from the wreckage half-dead. You were in a coma for three weeks and your body took… months to men-”

“Months?” I interrupt.

“Yes, months to mend. Eventually you were back to being physically fit but one part of you was unfixable. Your brain had received massive scarring and your short-term memory was completely lost. The damaged tissue was too deep for any physician to operate on. So for a long time you’d wake roughly every five minutes, with your last thought being flying the plane. The car crash we both just experienced actually served to rupture the scar tissue in your brain, allowing areas of your brain that had been separated to start communicating with one another again.”

Michael’s explanation, images of my aged skin and the sound of my voice amalgamate into an unnerving understanding, “How long? How long did I live without a memory?”

“Saul… my name isn’t really Michael. I was chosen to be your chaperone because of my physical similarity to an old RAF colleague of yours. It was easier for you to be with someone you recognised when you ‘woke-up’ hundreds of times a day. And… I’m the seventh Michael Emery you’ve known. You’re ninety years old.”

The aching muscles, the leathery skin, the weak joints and warbling voice all make horrible sense.

“I’ve lost all my life? Only at its twilight do I start living… Was… Is… Is it worth it?”

Seeing the frailty in my eyes and feeling a deep sadness at a role he thought he’d never have to play Michael responds with frank, brutal, truth.

“We’re still at war. The city you bombed is now almost totally destroyed but it only served to isolate the United Republic. The security services tell me the car that crashed into us was hacked by an enemy nation. They were trying to kill you. They don’t want you to die naturally.”

“Die naturally? This is the future isn’t it? How long can people live?”

“From exposure to time-bombs you received a terminal illness. It’s my job to comfort you until the end.”

“And when is that supposed to be?”

Michael stands up and turns around, initially too scared to tell me the truth. He’s but a boy, only twenty-something himself. He’s totally unprepared for this situation. When he does eventually speak it makes the whole situation terribly worse. In two words he makes me realise how short lived my long life has been. He says,

“You’re overdue.”

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Love Blogging? Get Paid To Do It!

When writing The River there came a point where I had to invest more than my time into its construction. Desperate to finish the title, I needed it proof read and the cover illustrated (more can be read on this here). Not being a man of wealth I determined that every pound I put into The River would be returned to me either through sales revenue (which I knew to be unlikely as I’m an unknown ‘brand’ – for now) or through my own hard graft.

Happily I gained some freelance work of my own both database developing and blog writing. Having written blogs for a number of company’s now, the time is right to share how I became a paid-blogger. So without further ado, here are my Top 5 Tips on how to become a paid blogger:


1) Find Your Site

Look online for freelancing websites. Pretty much exclusively I use People Per Hour. But there are others including freelancer and Guru. Some freelance sites are rubbish. Do a bit of research and find the one which is best for you (although the ‘do research’ bit is contrary to my experience, I just went with PPH without looking at others & have somehow found my feet).


2) Check Your  Work

If you want to be a paid-blogger you must have a blog already, right? Take a look at it. Is it a teen-whiney blog? Does it have a black background with white writing? Is it filled to the brim with swear words and profanity? If so you MUST work on your product presentation. No one likes people who whine, black on white writing rarely works and swear words are off putting. You’ll be sharing your blog with prospective employers – make sure it strikes the tone that shows you in the best light.


3) Don’t Pigeon Hole Yourself

On People Per Hour you ‘bid’ for jobs. My success rate is three in about thirty bids. It can be disheartening as sometimes there isn’t work available for your skill set or experience. But this doesn’t mean you must wait for something exactly matching your abilities to come up. Despite working in telecommunications I somehow managed to get a care-home database freelance role. This was because my bid represented the best ‘deal’ for the client.  With an open mind and willingness to gain new abilities you will quickly see the number of possible jobs rise.


4) The Big Bad Bid

When bidding ensure your English is up to scratch, ask questions, set out your bid and ultimately don’t be afraid to change what it is they’re asking for. Client’s are often unaware of exactly what it is they’re after. If you’re after experience, work and money the main trick is to ensure you have a product that they want – even if they didn’t know they wanted it in the first place. For example a client may request ‘daily blogger for my website, 60 articles per month‘. Sixty good, well researched articles per month for a new website would be insanity. No one would read it and few people would have the time to come up with great articles. The client will appreciate having their idea honed by you into a workable process. Think of it as relationship building. You’re doing them a favour and learning from them, you’re not a slave employee saying ‘yes’ to everything the client asks for. You’d quickly be dropped as the best bloggers have their own mind and can make up their own unique content without always asking the clients for inspiration.


5) Don’t be afraid to say No

Unfortunately a lot of freelance websites are filled with prospective client’s that think they can get away with charging a ludicrously low fee because ‘someone’ will do the work. Ignore client’s which attempt to pay less than national minimum wage (and as a good writer you should hopefully be aiming for a fair bit more per hour!). Only by a systematic rejection of people wishing to exploit the hard work of others can writers start earning a decent living.

Words persuade, words suggest, words build worlds that rise and fall. Just because words don’t plant crops or manufacture products doesn’t make them unimportant. We live in the information age. A well SEO optimised and original article may be the difference between a potential customer for your client skipping past that client’s site or staying there and eventually buying into the product.


pssst…
my secret tip, which unfortunately you can’t easily copy, is try to have the same first name as the person you want to employ you. Two of the three jobs I’ve done have been for people called Andy!

 
What’re your best tips for getting paid writing work?

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How (not) to Advertise a Book

*             *             *

A dishevelled, bearded man sits in his dark kitchen, tip-tapping on his laptop’s keyboard. Well past midnight he attempts his best to muffle the noise each keystroke makes. But, alas, his tired hands strike the typeface too loudly. From the bedroom above a two year old’s cry is faintly heard – swiftly followed by the angry grunts of a well-loved but often put-upon, newly awoken partner. However, despite the ungodly hour, the tired hands (and eyes) and the soon to be angry wife, the man continues his labour; For he is a writer and a single-minded determination is the only way to successfully edit and complete a book.

A slightly less dishevelled, but still bearded man holds a deck of cards in his hands. In front of him sits a watermelon in all its red-pipped, green-skinned glory. Around him a two hundred strong crowd waits with baited breath. All that stands between him and fame is six feet and one minute. Soon a klaxon sounds and it’s his time to shine. Card after card fly from the man’s rugged hands and into the watermelons flesh. Sixty seconds later and success! A near-terrible team loss has been turned into a fighting chance for victory. Team mates rush over to congratulate. But despite their adulation the victorious man feels uncomfortable; for he hates self promotion and despises the lack of control given by such circumstance.

These experiences occurred last year but not quite separately.

In a moment the article changes.

*             *             *

(Anyone who’s read The River will get the above as an in-joke. How sci-fi – geeky jokes already!)

 


Concept, First Draft, Edit and Promote

There are four stages to writing. Each is harder than the last and each requires its own unique set of abilities.

First you have your initial Concept. This is just the fun idea stage that anyone can have. What happens if gravity suddenly flipped? What if a star seemingly fell out of the sky and landed by your feet, for you to only find a smashed bulb? What if someone dug up from underneath the ground, met humanity and said ‘uh! I thought no one lived up here?’ Concepts are fun. Concepts are easy. Concepts don’t require much other than a vaguely creative mind.

Secondly you have the First Draft. This is the first test of your concept. What would happen if gravity suddenly flipped? Is the concept really interesting enough to lead into a novel, novella or short story (or humourous cup-based blog post)? Can you truly put yourself in that position and build characters that conceivably lived before and (sometimes) after the event you’ve created? Writing your first draft is still fairly easy. Subplots and characters can come and go as quickly as you can type or highlight and delete. A command of the English language is useful for this stage and an ability to weather the personal storm of creeping concept self-doubt.

Thirdly, and as explained by my first bearded man above, is the Edit stage. This is likely to be the longest stage of writing a book. A thick skin and an open mind is needed as you take criticism and dare delete entire chapters and characters. A single-minded determination to get through this longer-than-the-longest-thing-you-can-think-of  (even longer than this) stage is an absolute must. I dread to think how many stories have halted in the editing stage never to see the light of publishing.

Fourthly, and as explained by my card-into-watermelon throwing man above, is the Promote stage. Sadly for most writers, myself included, this requires a totally different set of skills.

Writers are a funny bunch (as this blog can attest to). We love getting lost in worlds of our own making, and if we’re good, really, really good, we can almost convince ourselves that the world created was only ‘found’ by our imaginations but was always there – and possibly is always there, somewhere in the infinite realms of universal possibility. Quite simply, pulling out of this mindset and ‘networking’ in the ‘real’ world isn’t natural and it isn’t that easy!

This last stage is why literary agents exist. With contacts in the business and the know-how about selling your story they’re best placed to take you from the end of the edit stage to successful publishing. But writing is a notoriously difficult business. The vast majority of submissions to literary agents go unanswered and literary agents themselves are bound by what the market wants – even if you have a great story. This murky world often leaves new authors with only one option – to take a stab at the Promote stage themselves, not matter how ill-equipped they are.


Never Give Up, Never Surrender!

Square Peg Round Hole

Attempting to fulfil the Promote stage I’ve set up this blog, entered short story competitions, started writing for other blogs, started official ‘advertising’ and swallowed the curl-up-and-hide emotions which appear when someone asks me about my creative endeavour. This is my attempt at ‘Brand’ building (also know as project Brandy).

None of this is natural (I cringe every time I see the large ‘AndrewJKnight’ at the top of this page), some of it is just difficult (don’t start a conversation with a less-than-fluent-in-English French speaker) and some of it pointless (Facebook advertising) but each is hopefully a step in learning this most terrible of stages and will hopefully lead to a book which is well-read and positively responded to.

Worst of all, unlike the other stages where writers block was an obvious hurdle, this stage throws up emotions and feelings of quitting, giving up and moving on to something else. Sometimes it feels like unless the WordPress Gods shine on you or a literary agent loves your work, all the self-promotion one can muster will simply come to naught.

But for the concepts completed, the characters created, the drafts written and the edits rewritten it would be a disservice to yourself and future readership to stop, give up and throw in the towel. Unlike other stages this one has no defined end, but that doesn’t mean you should stop. As another sci-fi favourite says, ‘Never Give Up, Never Surrender!’

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THE RIVER RELEASED PART II

The River is now available in pdf format for 95p. Again following my mantra of it’s not about the money I’d get very little revenue from this. I’m only interested in making The River as accessible to all – and the best thing about this release is you can get it without postage and packaging.

So, a great story at an even greater price. Download it now, here.

This is my first baby step into e-publishing. I’ll be aiming for kindle next, but if you’ve nothing to do at work discreetly reading this will be a great way to pass the time!

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Capital Hypocrisy

Although it’ll be part of my arrogantly titled ‘The Rest of Me – Feb-11′ I thought, as my first article since the roaring release of The River, that I’d highlight to you another blog I’ve started to guest write on.

Fresh Ink is open to new writers allowing them to pretty much write whatever they want. Although it’s recently been overtaken by disagreeable movie reviews (No Country For Old Men is disappointing media-luvvie fodder!) and random spurts of sudden sadness over the death of a diva whose best years were so long ago that most of the blogs authors are too young to remember her, it’s essentially a good place I’m happy to be involved with. And, more importantly, it has my first non-The River story. If you want to read the original article and any comments you can find it here.

Alternatively, below is a story written to articulate a question I have. Following it is a brief summary should the obvious-as-a-baseball-bat-to-the-face moral of the story be lost on you.

So, here goes… Continue reading

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