Monthly Archives: January 2012

THE RIVER RELEASED

After thirty-seven months.

Having written forty-four chapters.

And built a website (for the first time).

The River is finally and thankfully finished.

And it can be yours for £5.99

Buy it here, alternatively view more information (and any available discount codes) here.

Comments from readers so far include:

“In awe of [Andrew J Knight's] world making abilities”

“Enjoy[ed] the mix of high sci-fi and brit realism”

“The Kirk speech made me LOL”

“The River genuinely has a rivetting storyline”

“…an excellent plot. It is complex, but not confusing, and it all ties together at the end.”

“[Andrew J Knight] has created an excellent villain”

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Let’s Design A Spaceship

This article is part of a series exploring the technology and concepts found in The River.

With X-wings, Vipers, Marquis vessels and even Spitfires in space, fighter-like space ships have been done-to-death in sci-fi. There is little, if anything, new that can be done with the ‘jet-fighter-in-space’ concept.

Up the scale and unique creativity is still hard to find. With the Enterprise, Star Destroyers, Battlestar Galactica and a plethora of other well-known ships there is also next-to-nothing left in the creative bank under the ‘cruiser’ or ‘aircraft carrier’ spaceship account. Continue reading

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Knights Highlights – January 2012

Augmented Reality

Positives, negatives and a small idea for an AR app.

CES pt 1

The Consumer Electronics Show in LV, Near Field Communication and a man in a dated hat.

CES pt 2

A round up of the interesting tech from CES.

Death of a Plumber

A well know mustachioed man walks into a café, crying.

Gunning for Number One

I’ve got a secret, I’ve been hiding…

Jack of All Trades or Master of One?

What do Angry Birds, Unhappy Fish, Confused Penguins, Upset Flamingos and Perplexed Frogs have to do with evolution?

Let’s Look Again

A fresh look at some fairly negative news.

Pay vs Piracy

Die Die Die My Darling and Mobile Apps.

Proximity Detection Alert

All this technological wizardry at our fingertips – but there’s only really one thing we want…

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Just Start (leap before you look)

This article is part of a series exploring a few tips & tricks I’ve learned from writing.

Achievement is subjective. Writing a book, getting a job, starting a family. Each of these things will mean everything to someone and nothing to someone else. But when you do see someone with something that you want, something that is conceivably achievable in your life, usually the only difference between you and them is that they’ve, quite simply, started.

Think about it now. What is it that you want to ‘do‘?

Don’t fall into the trap of feeling you’re not ready or that you must prepare before beginning. You may be a poor writer, you may have no work experience and you may not have a partner. But don’t let these concern you. Just Start. Start writing. Start applying. Start dating. Ignore your worries and concerns about lack of preparation. Do away with self-belief fears. Don’t ever put off till tomorrow something you can start today.

That six pack you want before you’re thirty will never happen unless you start Now.

The River has taken me 37 months, 44 chapters and more money than I wish to mention to complete. If I’d prepared, planned and estimated properly I would never have started, let alone completed it. If I’d never started I would’ve cheated myself out of a new skill and the enjoyment that came with it.

So, simply, whatever it is you want to do, stop thinking, start doing. Leap before you look. No if’s, no but’s, no questions, no concerns, JUST START!

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Who Wants to Live Forever?

This article is part of a series exploring the technology and concepts found in The River.

What do Indiana Jones, a tree and a certain Ponce have in common with The River?

One futuristic technology entices well beyond just science fiction fans. Long before the dream of exploring other countries, seas, continents, moons and planets ever crept into collective human consciousness there was an advancement almost everyone desired to see. Even mythology, religion and modern day science theory are aligned in their quest for this advancement.

Of course I can only be talking about one thing Continue reading

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What Writing A Book Looks like

This article is part of a series exploring a few tips & tricks I’ve learned from writing.

Prior to The River my creative history consisted entirely of abstract art and mechanical sci-fi-esque design. So following this visual route I’d like to show you, quite simply, what writing a book looks like.


The Spark

Coming up with the concept might take years, perhaps decades. But playing with an idea and toying with the results is fun. It’s like chewing your favourite meal over and over, with each mouthful feeling as fresh as the first. This is the bit everyone loves and why so many people start writing a book. But in terms of effort once the concept is created, the major plot points are defined and the basic characters are set in stone your concept-job is done, so the workload for this part is small – irrespective of how long you were thinking about it! Continue reading

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Awesome Acceleration

This article is part of a series exploring the technology and concepts found in The River.

The following element of The River isn’t just made-up science fiction but is partially based on modern day medical fact. Those unfortunate enough to live with Progeria are already in receipt of a defective version of a potentially future-perfected ability. From Borg Maturation Chambers to Cloning, science fiction has no-end of methods to skip that annoying fiddly bit of life, childhood.

Following this theme The River contains its own version of skipping such innocent times. I call it accelerated youth.


The Attributes of Accelerated Youth

Like a good role playing game, parents in The River’s future-world allocate for their children ‘attribute points’.  With the entirety of human knowledge available for upload into their child, or the entire breadth of human characteristics it’s important parents give their children only a finite amount of these points.

From an authors perspective this limit was necessary because without this it each person could be given knowledge of everything resulting in carbon copies of intelligentsia. This would’ve also created cardboard characters, all sharing the same point of view, knowledge and experience.

Additionally giving a ‘finite’ amount of attribute points allowed me to give a little bit of my own social commentary. I state;

‘Early forms of this technology had no limits, resulting in aimless children who knew almost all the total sum of human knowledge but only confusion as to what to do with it. Being knowledgeable with no direction is useless.’

This, unashamedly, is a bash at the western education system. Accelerated Youth intentionally runs counter to our current societies determination to delay adulthood. All the best science fiction comments in someway on a perceived social ill.


A Different Angle

Unlike many other stories in science fiction, I swerve away from certain sci-fi-childhood norms. Specifically I don’t believe in ‘artificial everything’.

For example, although not specifically stated it’s strongly hinted at that almost all children are breast fed. The argument for this is easy – why create a technological version of something already readily available? Many parts of The River universe are about efficiency. Wasting time recreating something evolution has honed over millions of years seemed a bit abnormal to the ethos I’ve built. Additionally with inner-screens giving the capability to pass the exact feeling and memory of breastfeeding the equality argument goes out of the window (as men can experience it too).

Anyway, after an early age everything changes beyond what’s normal so it also makes sense that parents would want to be as close to their children as possible.


The Acceleration

This is where we get into the thick of the science fiction action. Children are taken away for around a year and their bodies are grown and minds uploaded with information. Then they are returned to society owning adolescent bodies. It’s at this point that they start having lessons to supplement their learning.

Their lessons are only short and sharp twenty minute subjects designed to get them to think. With each child able to access any information they want via their inner-screens it seemed silly to create an education system based on fact regurgitation and ‘busy work’.

Eventually at an age we’d consider teen the child takes up their role in society as a fully accepted, experienced and expert individual.

Accelerated youth is only one element to the back-drop of The River universe. The book delves into much more detail about this and you meet some children at different stages of their brief childhood along with one character whose family has a unique experience when they choose their child’s attribute points.

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It’s Not About The Money…

In the past I’ve written three articles for a fabulous finance blog called Magical Penny. Its owner, Adam Piplica, has a great attitude to taboo busting the world of personal finance.

Now, some people may call talking about money crass and corrosive – and if done in a gluttonous way that’s exactly what it is – but if people were to break through this taboo the world would be a better place. Why do I, as a business analyst, earn more than a nurse? Is that fair? Why do women still earn on average less than men for the same role? Why the hell do I have to guess what salary I want when going for a new job instead of being given an obvious range!?

No, the argument is clear and there is even a movement to get high earners in society to publish their wage in comparison to their staff. Quite simply, greater transparency will lead to greater democracy and an increased fairness of wealth sharing.

But, this blog is about The River, not personal finance. However, the financials of The River tell their own story.


Read the Money

In paperback The River will cost £5.99 + P&P (correct as of Jan-12).

Too much? Too little? Or just right?

Let me help you. A quick review of the science fiction page of lulu  gives an average sales price of £12.07 with a range from £6.53 to £25.81 (science fiction page at the time of writing had 24 titles at a total of £289.79). So The River is cheaper than the cheapest title.

But this only tells half the story and certainly doesn’t mean The River is a throw-a-way trashy novel.

The lulu ‘cost’ (printing & their profit margin) for The River is £5.56. That means for every £5.99 paperback sale I, as the author, will get £0.43 or 7.7%. In my day-to-day role as a multimedia content analyst I see that on average authors of (e)books often get around 70%.

But the story doesn’t end. That £0.43 will be subject to tax and NI meaning I’ll get to see roughly 69% of it.

So in the end, for every £5.99 sale I make I will receive 29p or 4.8%. That’s less than one penny per month of work. Hopefully you will agree that this is a reasonable rate! However this was a conscious decision because as the title to this article states, it’s not about the money…


…but about the Price Tag

£5.99 is the closest above cost price point ending with the psychological 49p or 99p barrier. It’s clear to me that the average price of lulu titles is fairly high because authors actually want to make money.

I wrote The River to challenge myself and to have fun. I didn’t write it to make money. For me the desire to continue to write won’t come from income, but will come from people reading my work and wanting more.

Through a rare financial transparency I hope I’ve done my bit to help bust this taboo, given you an insight into my motivations around The River and offered you an absolute bargain!

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Communication Conundrum

This article is part of a series exploring the technology and concepts found in The River.

Working for a telecommunications company and writing for a technology blog I have to state I’ve a strong vested interest in the content of this article. But then again, who doesn’t? Because in life, as in The River, communication is key.

And, as a science fiction staple, I quite simply couldn’t have gotten away with writing a story set thousands of years in the future without devising my own communication system.

But when setting on the road of attempting to create something fairly unique, where the heck do you start?


Have you met my Father?

Having written fifteen articles its near-amazing that I’ve gotten this far without mentioning one major element of my upbringing. Throughout my teenage years as I suffered a present-absent father and the daily horrors of High School my one trustworthy friend and role model was, quite simply, Star Trek.

Star Trek’s bold utopian vision along with its amazing technology, interesting storylines and empathetic characters expanded my mind and gave me a weekly joy to look forward to.

But, unfortunately, Star Trek has suffered. No, not the frenetic JJ Abram’s movie which was good but sucked all the life out of the original universe, no – my issue with Star Trek is how much it has dated.

I can’t watch the bald-headed flute-playing captain of the Enterprise-D in almost any scene. My issue isn’t the graphics, which are forgivable, or the writing, which still stands the test of time. No, my issue is the technology. And specifically, for this article, Star Trek’s communication technology.

In the Original series, Star Trek had flippable communicators which worked much like today’s mobile phones (albeit with a greater range and better reception!).

In the Next Generation communication is made through a gold and silver coloured combadge which is fairly indescribable as to the how-to’s of its operation. Other than the fact it’s got a gold pin in it somewhere which can be used to reprogram Lt Data or make a daring jailbreak, the description of how this neat little piece of kit works was always left out from Trek.

So knowing Star Trek’s history as though it was that of a loved family member, along with the Stargate’s, Babylon 5’s, Battlestar’s and many, many other shows the desire to create a fairly unique communication method was always going to be hard. So, where to start?


What Works Wins

Once fiction is exhausted there’s only one other place to look – fact, or, specifically – nature. Humans and all animals communicate by taking sensory input from the environment or other animals and interpreting that information in their brain prior to making their own response (which is also started from within their brain). Think about the entirety of the animal kingdom, the many sensory inputs available and the many ways a message can be delivered and realise that it’s the brain (or, if you’re nitpicky, certain nerves and nervous systems) which is the one common factor in all this multitude of messaging.

So, for my communication method I looked to the future and decided that humankind will continue to do what we’ve been doing for ages – replicate the best of nature. Focussing on the brain itself I came up with;


The Inner-Screen

The River’s solution to communication is an enhancement added to our genetic code which develops a new area in our brains. This area is capable of receiving through-the-air input (like radiowaves) but also integrates itself directly to our optical cortex, auditory areas, olfactory senses and, quite simply, everything else. For example;

Men can receive the feeling, sense and happiness of a baby kicking within a non-existent womb because another’s brain has been able to capture the memory, thoughts and feelings.

With genetic enhancements added to certain animals it’s possible to feel what it’s like to be a cat, horse or other brain-wielding being.

Inner-screen applications can be made which link to the rest of your body and given you a heads-up-display of your current health and wellbeing. Or inner-screen applications which link to other systems such as GPS – meaning you never need a map again.

My proof reader Claire probably most aptly described it as a ‘smart phone in your head’.

Like today’s phones inner-screen’s can ‘fail’ or break. But instead of modern day cracked screens or broken batteries inner-screen users suffer headaches and blinding lights should they try to use a broken system.

The main challenge when devising system’s for a future world is to go beyond what the modern day can do. With so much technology at our fingertips (and working where I do, I see the latest mobile products months before they’re launched) it can be hard to see beyond this to a future where our highest technology is just yesterday’s ignorance. With the inner-screen I hope I’ve made a step in the right direction.

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A Bit Special

This article is part of a series exploring a few tips & tricks I’ve learned from writing.

Read other author’s work. Their excellence will rub off on you.

Don’t read other author’s work as you may dilute your own creativity.

Edit your first draft as you go, you’ll hone your ideas.

Don’t edit your first draft as you go, just get the story down and come back to it later.

Write daily for thirty minutes. No, actually you should write for an hour. Or even better you should write during all the daylight hours. Or, this is my favourite, write only when you’re on a train.

There is no shortage of tips, tricks and suggestions about how to write. The world contains such a diverse literary ecosystem because every author is different. Each writer will find their own best tactic and whatever method they use will come across in their work. Reading too much of other peoples work will undoubtedly feed into your own concepts and writing style, editing too much or too little can result in stop-start pacing. But there is one concept I particularly enjoy, but as ever, despite its simplistic slogan it’s actually quite complex – and still open to argument.

Write What You Know

This sounds simple. If you’re an office worker, write about office jobs. If you’re a pilot, write about flying. If you’re a stay-at-home-parent, write about children. ‘nuff said. But, how dull is that?!

Who wants to hear about your day job? Most people’s lives are interspersed with tiny moments of interest – the rest of time is spent usually in monotony and boredom. From ancient human tribes foraging for food, to medieval farm labourers and onto the office workers of the 21st century almost every human being, ever, has had a largely ‘dull’ life.

But, stating this argument is a fallacy and misunderstanding of the slogan ‘write what you know’. This rather strongly worded blog is a good example of ‘write what you know’ being taken to mean ‘write what you do’ when, quite simply, there are imaginative worlds of difference.

What you know is the entire breadth of human experience. It’s unfortunate that what you do usually hones in on the less interesting side of life. This rather sparkly website describes better than I can ‘what you know’. But, quite simply, unless you’re medically broken or really hard-hearted by adulthood you should’ve experienced so much emotion and seen so many idiosyncrasies that only a little bit of imagination is required to turn your knowledge into a story.

So my point of view, and that which I’ve used for The River is;

Write What You Don’t and Do Know

I think it’s hugely important to have characters that can be related to. Otherwise readers will be turned off as there is nothing in the book ‘for them’. As such I looked to my own life and experience to create believable characters. Specifically, for one element of the book, I drew upon my two year experience as a Special Constable with West Yorkshire Police.

On top of this reality foundation I’ve built what I ‘Don’t Know’. Basically this is where imagination comes into play. This is the Planet class spaceships, the inner-screens and the perpetual energy cores which make-up the backdrop of my story. Some examples of writing what you don’t and do know could be;

  • Imagine a world where everyone is happily going about their daily business (what you ‘know’) when suddenly gravity changes. Down is up, up is down etc.
  • Or, in popular culture, the original Matrix film started out with an office worker, in a dull day job while doing a bit of hacking at night. Suddenly a lot of what no one could ‘know’ happened to Neo.

The best stories obviously already do this; but it’s important to set the ‘What You Know’ slogan straight!

About You, But Not About You

The one danger with writing what you know is that your story can become autobiographical. Unless you’re a celebrity or leading public figure the likelihood of people wanting to read about you is quite low. Knowing this, I focussed upon being ‘referential’ instead of autobiographical. By this I mean the stories some of the characters tell are based on real life events. By chapter 8 of the book at least three real life events have been told. This grounds the book in reality, gives characters a believable (because it’s real) back story and allows me to look at events that have happened to me or things I’ve heard, from a different perspective.

So, when you’ve got a copy of The River in your hands don’t just treat every sordid tale, harrowing tragedy or dog-eats-cooked-man story as made-up fiction. Because, unfortunately for one dog and its owner, it’s true.

NB – Locations, ages, genders and names are all changed so true links to real events can’t occur.

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